Iris Van Herpen On Her AW22 Couture Present Marking Her fifteenth Anniversary

Iris Van Herpen On Her AW22 Couture Present Marking Her fifteenth Anniversary

After all, these concepts of transformation and expertise have lengthy been embedded in van Herpen’s work, ever since she first graced the Paris Couture Week schedule along with her oscillating, sci-fi-inspired designs again in 2011. Digital expertise, too, has at all times been central to the development of her items, which contain advanced 3D printing methods and modern new supplies.

This season, these embody hi-tech biodegradable supplies produced from algae and leftover cocoa bean shells, in addition to a silk produced from banana leaf. “The supplies are very future-orientated, however with a pure twist,” van Herpen explains, including that upcycled supplies additionally characteristic (the designer has used recycled ocean plastic once more, for instance, as a part of an on-going collaboration with Parley for the Oceans).

By utilizing these textiles, van Herpen hopes to encourage different designers to undertake extra sustainable supplies transferring ahead. “[The work] we’re doing with these supplies just isn’t solely for us; these supplies can be found for different manufacturers too,” the designer feedback. “An important a part of the answer is collaboration; we’ve got to assume extra like a neighborhood.”

Van Herpen additionally sees the potential for a extra sustainable trade by way of using digital expertise. “Everyone knows trend wants to vary as an trade. There’s an enormous drawback with overproduction,” she says. “With couture, we solely create what shoppers need, however the Metaverse may assist ready-to-wear manufacturers present their collections digitally and monitor what clients need. This might scale back manufacturing massively.”

Van Herpen was impressed by Ovid’s Metamorphoses and the way in which a number of identities can exist throughout the digital and bodily realms. 

Daniele Oberrauch /

Her fifteenth anniversary assortment additionally included modern new supplies produced from algae and leftover cocoa bean shells. 

Daniele Oberrauch /

Whereas van Herpen is ceaselessly forward-looking in her method, the designer has been engaged on a brand new retrospective for the Musée des Arts Décoratifs in Paris subsequent yr, giving her the chance to take inventory of what she’s achieved thus far. “It’s actually like a time machine, going by means of all of the collections, inspirations and collaborations,” she displays. “It feels fairly particular to have the ability to do this.”

One in every of her proudest achievements is having her designs acquired by a number of the prime museums around the globe, together with The Metropolitan Museum Of Artwork, the Royal Ontario Museum and the Groninger Museum. “[Seeing] the museum world embrace my work otherwise; it brings quite a lot of which means to the work,” van Herpen continues. 

As for her hopes for the subsequent 15 years? “My essential focus is displaying another inside trend of how one can assume, how one can make, how one can create, how one can collaborate – I feel it’s extra vital than ever,” she concludes. “I hope to be an instance you could achieve success, even in the event you’re not the largest. And possibly you [can have] an even bigger impact due to that call.”

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